A stimulating territory of ‘being in-between’ art and design has emerged in order to be explored in a conceptual way.

In this context, the work of Magdalena Gerber is exemplary.

Through objects and installations she examines the tradition of the applied arts (the arts of the ‘in-betweenness’ per excellence) in order to establish a dialogue across disciplines, short-circuiting the ordinary into the extra-ordinadary and the familiar into the surreal.
Mònica Caspar, Zürich