Paul March works mainly with clay, which he uses to explore sensorial ambiguity and indeterminacy using primitive and sometimes elegant forms. Before this, March was a Clinical Psychologist in neuro-rehabilitation: a career that left him wondering about the nature of the relationships that we have with things in the world. As an artist, he found that clay allowed him to make things that take the understanding of this relationship to its sensational limits. In so doing he has persuaded himself that the creative process happens, not in the brain, but in the part of the world where the hand touches the clay. He is now sculpting as a research tool in order to try and establish the nature of creation and sensation.

March studied fine art at the Geneva Art School (2000-2004) followed by postgraduate studies in ceramics and polymerisation (2009-2010). Since 2016 he has been studying for a DPhil in Archaeology at the University of Oxford.